This sketchbook page is part of my ongoing journey through Ahmed Aldoori’s 100 Head Challenge. I started this challenge back in February 2024 as a way to keep my skills sharp and explore portraiture while I worked on discovering my artistic voice. Over the years, life had a way of interrupting my creative process, and I’d often find myself relearning how to draw after long breaks. This time, I was determined to break that cycle and keep progressing.
The challenge has been a lifesaver, giving me structure and a clear focus. With no need to think about what to draw or search for references, I could simply dive in and refine my skills. This “use it or lose it” approach has been invaluable in helping me maintain consistency and build confidence in my work.
What started as quick sketches to “keep my hand in” soon turned into more detailed studies, as I began to spend more time on each portrait. I’ve noticed my process becoming smoother and more intuitive, what once felt deliberate and clunky is now starting to flow naturally, a rewarding sign of progress.
This page highlights portraits 23 through 26, my favourite spread to date. Each portrait was an opportunity to study subtle details, the softness of skin, the texture of hair, and the emotion conveyed through the eyes. These portraits seem to have been created with the least amount of effort to date. The secret, the least amount of time between sketches…
I’m especially proud of the gradual improvement I can see across this series. These portraits reflect not only technical growth but also my determination to stick with the challenge, even when time felt tight or distractions loomed.
As I approach portrait number 30, I feel re-energised to keep going. The 100 Head Challenge has been a grounding experience, keeping me connected to my craft while I continue to figure out where my creative journey will lead next.
If you’re curious to see more of my progress so far, check out my journal post here: Slow and Steady – The first of my 100 Head Challenge Updates.
Let me know your thoughts on these portraits or share your own experiences with creative challenges—I’d love to hear about it!